Nijinsky - translation to french
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Nijinsky - translation to french

RUSSIAN BALLET DANCER AND CHOREOGRAPHER
Vaslav Fomich Nijinsky; Waslaw Nijinsky; Waslaw Fomich Nijinsky; Vatslav Fomich Nizhinsky; Vaslaw Nijinsky; Waclaw Nizynski; Wacław Niżyński; Vaslav Nijinska; Nijinsky; Ballets by Vaslav Nijinsky; Vaslav Njinski; Njinksy; Njinski; Vaslaw Njinski; Nijinski; Njinsky; Vaslav Fomich Nizhinskiy; Vatslav Nijinsky; Vatslav Fomich Nizhinskiy; Nizhinsky; Nizynski; Niżyński; Nizhinskiy; Vasily Nijinsky; Nijinskian
  • date=May 2013}}
  • Nijinsky and daughter Kyra, 1916
  • Nijinsky as Armide's slave in ''[[Le Pavillon d'Armide]].'' The middle act was originally choreographed by [[Michel Fokine]] as ''L'animation de Gobelins'' for the 1907 Imperial ballet school student show, and was performed by the new Ballets Russes on its opening night in Paris, 1909.
  • Nijinsky in [[Krasnoye Selo]], 1907
  • Group of supporters and members of the Ballets Russes taken by one of its founders, Nicolas Besobrasov. From left to right, in hat Alexandra Sergueievna Botkina, Pavel Koribut-Kubitovitch, Tamara Karsavina, Vaslav Nijinsky, Igor Stravinsky, Alexandre Benois, Sergei Diaghilev, K Harris. Front, Alexandra Vassilieva. Taken in 1911, three days before the premiere of ''Spectre de la rose''.
  • 0-297-775065}}, p.&nbsp;143.</ref>
  • Nijinsky by Auguste Rodin
  • Sculpture of Vaslav and [[Bronislava Nijinska]] by [[Giennadij Jerszow]], the [[Grand Theatre, Warsaw]]
  • Scheherazade]]''
  • Lido]] in [[Venice]], 1910
  • Vaslav Nijinsky, 1912, dancing the ''Faun''. Photograph by [[Adolf de Meyer]].
  • Nijinsky in ''[[Le Spectre de la Rose]]'' (1911)
  • Tombstone of Vaslav Nijinsky in [[Montmartre Cemetery]] in Paris, showing year of birth as 1889. The statue, donated by a Russian group from Perm, without the family's permission, shows Nijinsky in character as the puppet [[Petrushka]].

Nijinsky      
Nijinsky, family name; Bronislava Nijinsky (1891-1972), Russian-born choreographer of classical ballet who worked mostly in the USA from 1938

Wikipedia

Vaslav Nijinsky

Vaslav (or Vatslav) Nijinsky (; Russian: Вацлав Фомич Нижинский, tr. Vatslav Fomich Nizhinsky, IPA: [ˈvatsləf fɐˈmʲitɕ nʲɪˈʐɨnskʲɪj]; Polish: Wacław Niżyński, IPA: [ˈvatswaf ɲiˈʐɨj̃skʲi]; 12 March 1889/1890 – 8 April 1950) was a Russian ballet dancer and choreographer of Polish ancestry. He is regarded as the greatest male dancer of the early 20th century. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance en pointe, a rare skill among male dancers at the time, and was admired for his seemingly gravity-defying leaps.

Nijinsky was introduced to dance by his parents, who were senior dancers with the travelling Setov opera company, and his early childhood was spent touring with the company. His elder brother Stanislav and younger sister Bronislava "Bronia" Nijinska also became dancers; Bronia also became a choreographer, working closely with him for much of his career.

At age nine, Nijinsky was accepted at the Imperial Ballet School in St. Petersburg, the pre-eminent ballet school in the world. In 1907, he graduated and became a member of the Imperial Ballet, starting in the rank of coryphée instead of in the corps de ballet, and already taking starring roles.

In 1909, he joined the Ballets Russes, a new ballet company started by Sergei Diaghilev. The impresario took the Russian ballets to Paris, where high-quality productions such as those of the Imperial Ballet were not known. Nijinsky became the company's star male dancer, causing an enormous stir amongst audiences whenever he performed. In ordinary life, he appeared unremarkable and was withdrawn in conversation. Diaghilev and Nijinsky became lovers; the Ballets Russes gave Nijinsky the chance to expand his art and experiment with dance and choreography; he created new directions for male dancers while becoming internationally famous.

In 1912, Nijinsky began choreographing original ballets, including L'après-midi d'un faune (1912) to music by Claude Debussy, Le Sacre du Printemps (1913) to music by Igor Stravinsky, Jeux (1913), and Till Eulenspiegel (1916). Faune, considered one of the first modern ballets, caused controversy because of its sexually suggestive final scene. At the premiere of Le Sacre du Printemps, fights broke out in the audience between those who loved and hated this startling new style of ballet and music. Nijinsky originally conceived Jeux as a flirtatious interaction among three males, although Diaghilev insisted it be danced by one male and two females.

In 1913, Nijinsky married Hungarian Romola de Pulszky while on tour with the company in South America. The marriage caused a break with Diaghilev, who soon dismissed Nijinsky from the company. The couple had two daughters together, Kyra and Tamara Nijinska.

With no alternative employer available, Nijinsky tried to form his own company, but this was not a success. He was interned in Budapest, Hungary, during World War I, under house arrest until 1916. After intervention by Diaghilev and several international leaders, he was allowed to go to New York for an American tour with the Ballets Russes. Nijinsky became increasingly mentally unstable with the stresses of having to manage tours himself and deprived of opportunities to dance. After a tour of South America in 1917, and due to travel difficulties imposed by the war, the family settled in St. Moritz, Switzerland. His mental condition deteriorated; he was diagnosed with schizophrenia in 1919 and committed to a mental asylum. For the next 30 years, he was in and out of institutions, never dancing in public again.